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I tend to be blinded to the virtues of the stuff I'm shooting in the present by the promise of the stuff I might be shooting in the future. Here's a case in point: the Olympus EM-5ii. I bought two of them back in 2015 when the camera was introduced. I knew I'd probably want to take advantage of the new video codec that yielded an All-I file at 77mbs, which was a much bigger file than the ones coming from my Nikon or Sony cameras at the time so I ante'd up for the battery grips which, in addition to doubling the shooting time also provided a headphone jack with which to monitor audio. 

My friend, James, and I used the two cameras to do a video for our friends at Cantine Restaurant. While I didn't really appreciate it at the time the cameras, and the combination of contemporary and legacy lenses did a great job capturing the unrehearsed clips that we moulded into what I think is a very nice video about the restaurant. While the EM-5ii files aren't as detailed and rich as the best files from the Panasonic GH5's they are absolutely perfect for what was made to be a web-only, 1080p promotional video. Unique at the time (and maybe still....) was the camera's uncanny image stabilization which worked as well in video as it does in still photography. The files were sharp and detailed and easy to edit in either Premiere or Final Cut Pro X. 

But most of my readers don't give a rat's ass about video, and that being the case I thought I would also make the point that the photographic files were in no way shabby either. I've included three images here from the daylong shoot we did at the restaurant. The brilliant I.S. in the cameras made tripods mostly superfluous but we did use them from time to time; especially if we were using really long focal lengths. 

I shot food and pours and people during the course of the day and used whatever ISO was necessary to get the shots I wanted. I mostly worked between 640 and 1600 and found that the files were as good as any other camera I've shot---as long as I used good lenses. We had high success rates with the Sigma 60mm DN Art lens (this will be the fourth time I have owned that lens....) as well as getting great images from a contingent of older Pen FT lenses from the 1970's. 

When I think rationally about the EM-5ii I wonder 1. Why I ever got rid of them? And, 2. What more could a photographer really want in day-to-day work? If you've never tried one you should. They are pretty delightful. After playing around with the focus on the newest Hasselblad MF cameras I can tell you honestly that, given a choice, I'd take a couple of EM-5ii's and the Olympus zoom lenses I got to use on the Panasonic cameras before I'd consider the H-Blad. Your kilometers may be more scenic....




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